![]() ![]() Another indication may be the persistent presence of the tonic note. ![]() We proceed by verifying the presence of the notes belonging to the tonic chord of both tonalities, whether in the melody or the accompaniment. In these cases, after having determined the two possible keys (major or minor) one must analyse the first few bars of the piece taking the following factors into consideration.ฤก) The presence of the tonic triad or tonic note. Nonetheless there are some cases where there may be difficulty saying for certain whether a piece is in the major or the relative minor represented by a key signature. All that is necessary is to look at the key signature and to name the two possible keys the major and the relative minor. It is not difficult to work out the key of a piece of music.
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